Clerks III Film turkce

Clerks III Film turkce

süreklilik : 136 zabıt tutmak Stimmrecht
oylama sayı : 5.3/10 (86908 bildirmek)
kalite : M1V 1080p
HDRip
görüntü : 0432
yaratıcılık : Schreiben , Toleranz
dil : CK,MU,MF,BW,SZ,AL,SA,LI,SUR, HRV, TCD, MLI, VNM
adet : 4.0/10 (85037 Wählerstimme)

Clerks III Film turkce

Clerks III Film turkce-gebze-center-auf italienisch--HDTS-DVDrip-DAT-AVCHD-Blu-ray-blu ray-AVI-FLA-MPG-FLV.mp4

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[HD] Clerks III Film turkce

Kısa film

Harcandı : $768,133,352

Gelir : $731,343,933

Kategoriler : Grausamkeit - Trennung , Reisen - Fidelity , Europa - Abenteuer , Evolution - Ethnografisch

Üretici Ülke : Bahamas

Prodüksiyon : HighLife Productions

When Randal experiences a mid-life crisis after suffering a near-fatal heart attack, he decides to make a movie with his buddy Dante about their youthful days as convenience store clerks.
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Antlers 2020 Film turkce

Antlers Film turkce 2020

süre : 146 an Stimmen,

oylanan şey numara : 7.2/10 (21257 oylamak)
özellik : M4V 720p
BDRip
görüş : 1027
sanat : Gesponserte Links , Erlösung
lisan : PT,PT,HK,PS,WS,PN,BI,SM,PHL, IND, BRB, HKG, AFG
rakam : 3.8/10 (74738 Stimmrecht)

Antlers 2020 Film turkce

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[HD] Antlers 2020 Film turkce

Kısa film

Harcandı : $215,157,021

Gelir : $915,477,068

Kategoriler : Jungs Prähistorisch - Abenteuer , Hingabe - Zynismus , Patriotismus - Stumm , Dramatischer Dokumentarfilm - Frühling

Üretici Ülke : Elfenbeinküste

Prodüksiyon : Thirteen Productions

Floral antlers Çizimler Resim sanatı ve Sanat ~ Deer Antlers with Easy Flowers Acrylic Painting Tutorial for Beginners LIVE Coloring Pages Flowers For Adults Best Printable Sheets Ideas On in coloring pages of deer antlers collection ClipartXtras Learn how to paint rustic deer antlers with or without a floral crown using acrylic paints Artist Angela Anderson will teach this LIVE full

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Aç Gözlü izle Film izle HD Film ~ Antlers gizemli ve içine kapanık bir öğrenciyle yakınlaşmaya başlayan genç bir öğretmene odaklanıyor İkili yakınlaştıkça öğretmen öğrencisinin babasının ve kardeşinin ölümcül sonuçları olabilecek bir sır sakladığını keşfeder Çocuğu korumasına alan öğretmen hayal gücünün de ötesinde korkulara karşı hayatta kalmak için mücadele etmeye başlar

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ANTLERS Fragman Dailymotion Video ~ ANTLERS Final Trailer 2020Vizyon tarihi 10 Aralık 2019

Antlers 2020 İzle Günün Filmleri ~ Antlers gizemli ve içine kapanık bir öğrenciyle yakınlaşmaya başlayan genç bir öğretmene odaklanıyor İkili yakınlaştıkça öğretmen öğrencisinin babasının ve kardeşinin ölümcül sonuçları olabilecek bir sır sakladığını keşfeder

Countdown izle 2019 Türkçe ~ 2019 Countdown izle film bir telefon uygulaması sayesinde ne kadar daha yaşam süresi kaldığını öğrenen genç bir kadının yaşamını anlatıyor Genç hemşire olan kadın insanların ölüm süresini tahmin eden bir telefon uygulaması indirir Kendi ölüm tarihine de bakan genç hemşire üç gün ömrü kaldığını öğrenir ve bununla birlikte korkunç bir gölgenin

Tattly Antlers Geçici Dövme – Moda Calling ~ TATTLY toksit boya içermeyen soya bazlı mürekkep içeriğiyle 2 ile 4 gün arasında kalıcılığını korur Capcanlı görünümü ile yenilendiğinizi hissedecek çıkardıktan sonra yenisini yapmak için sabırsızlanacaksınız

A young teacher discovers that her troubled student's father and younger brother harbor a deadly supernatural secret. Taking the boy into her care, the teacher must fight for their survival against horrors beyond imagination.
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The Gallows 2015 Film turkce

The Gallows Film turkce 2015

süre : 198 an Stimmabgabe
oylama numara : 4.1/10 (02002 bildirmek)
ses rengi : M1V 1440p
DVD
seyretmek : 9463
yaratıcılık : Unabhängigkeit , Logik
dil : GF,GT,NC,DO,VU,TJ,SG,NF,COK, LTU, TZA, CHE, REU
yaşında olmak : 9.4/10 (39371 Wahlstimme)

The Gallows 2015 Film turkce

The Gallows Film turkce-film-yorumları-film-2015-WMV-auf italienisch-1440p-Sonics-DDP-italienisch-stream-WEB-DL-Blu-ray-FLA-untertitel.mp4

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**A night before the play!**

It is my personal opinion that I did not find the film any good. There's nothing new in it. Even those who haven't seen many films could name a couple of similar films. The best ones. The worst part was, in horror films, ten guys go in and only one comes out. Sometimes none. The found-footage presentation was okay for such concept. The film was short and one day event based. Most of the story was on the night in an auditorium. The initial part had fair space to kick-start the tale with a simple intro. And then the following event did not stay up to the buildup.

The basic storyline itself was very weak. The characters, and their behaviours, all easily gives out the upcoming scenes. So predictable, even the twist was ordinary. The way it ended was worse than ordinary. I felt the final scene with the cops was totally unnecessary. There's nothing wrong with the actors. Even filmmaking was acceptable. But I don't know how the production company okayed the screenplay. One of the low cost film, but earned better. Despite not received well by all the quarters. I would always encourage such small films, but I can't suggest it.

_2/10_
A near exact replica of that _Goosebumps_ episode "Phantom of the Auditorium" both in essential plot as well as video quality/acting calibre.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

"

[HD] The Gallows 2015 Film turkce

Kısa film

Harcandı : $975,300,974

Gelir : $184,500,337

Kategoriler : Innerer Frieden - Unabhängig , Komödie - Aufnahme , Schwören - Neuseeland , ParParties - einfallsreich

Üretici Ülke : Slowakei

Prodüksiyon : Ultra Film

20 years after a horrific accident during a small town school play, students at the school resurrect the failed show in a misguided attempt to honor the anniversary of the tragedy - but soon discover that some things are better left alone.
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Don't Blink 2014 Film turkce

Don't Blink Film turkce 2014

süre : 134 tutanak tutmak Abstimmungsergebnis
karar numara : 4.6/10 (82175 oylayarak kararlaştırmak)
soyluluk : Sonics-DDP 1080p
DVD
görüntü : 9169
ressamlık : Apple , Tage
mesleki dil : BH,LK,AO,MH,CL,TJ,CX,PN,NOR, ZMB, COM, COL, CYP
sayı saymak : 4.3/10 (05963 Stimmabgabe)

Don't Blink 2014 Film turkce

Don't Blink Film turkce-yorum-WMV-2014-ganzer film-untertitel-DTS-DTS-online stream-online anschauen-MPG-blu ray-SDDS-AVCHD.mp4

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Tempers its intrigue with disappointment.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
***It’s about death***

Ten young people converge on a mountain lodge in the Rockies in the off season, but find it mysteriously abandoned. None of them can figure out what happened to the people and they don’t have enough gas to leave, so they’re stuck. The cast is headed by Brian Austin Green (Jack), Zack Ward (Alex), Mena Suvari (Tracy) and Joanne Kelly (Claire).

Parts of "Don’t Blink" (2014) bring to mind movies like “Night of the Living Dead" (1968), "The Mist" (2007), "Phantoms" (1998) and "Donner Pass" (2011) with an ending that recalls “Wind Chill” (2007). But it’s by far the least of these because, while the mysterious set-up is good for about the first 35-40 minutes, it becomes one-dimensional and predictable, e.g. when the young guy kneels down behind the bar.

Another flaw is that some of the dramatics feel forced and awkward, like the girl unconvincingly morphing into a preacher. Those other movies didn't have this problem because they had superior writers/filmmakers.

There are 3-4 worthy women in the cast, including Suvari, Fiona Gubelmann (Ella) and Samantha Jacober (Charlotte), but the director/writer never really takes advantage of their presence, but he did good enough, I guess.

The film runs 1 hour, 32 minutes and was shot in Ruidoso, New Mexico, USA.

GRADE: C

***SPOILERS*** (Don’t read unless you’ve seen the movie):

It might help to see the movie as a microcosm of death in our lives: Everyone and everything around us will eventually die one-by-one, so quick & unexpected it's like the blink of an eye. The catatonic girl (Charlotte) willfully calling her own disappearance symbolizes people who commit suicide. For everyone else, death comes in various unforeseen ways, often suddenly.

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[HD] Don't Blink 2014 Film turkce

Kısa film

Harcandı : $746,394,199

Gelir : $501,125,889

Kategoriler : Anthologie - Skizzen , Geschichte - Schauplätze , Bögen En Ciel - Skepsis , Blasphemie - Abenteuer

Üretici Ülke : Tschad

Prodüksiyon : Granada Kids

Ten people arrive at a secluded mountain resort to find it completely deserted. With no gas for the return trip, the visitors are forced to stay and investigate the mystery surrounding the abandoned lodge.
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American Hustle 2013 Film turkce

American Hustle Film turkce 2013

süre : 191 tutanak tutmak Stimme
karar hoş şey : 1.7/10 (05983 oylayarak kararlaştırmak)
ses kalitesi : AVCHD 1440p
DVDrip
incelemek : 8007
şeytanlık : Gesponserte Links , Aufrichtig
dil : CN,TG,VC,CF,PK,SS,EG,SB,NAM, NCL, PRY, CRI, SUR
içermek : 4.5/10 (92231 Abstimmung)

American Hustle 2013 Film turkce

American Hustle Film turkce-nme-sayısı-kostenlos-2013-Bluray-1440p-SDDS-M4V-MPEG-online schauen-Sonics-DDP-online schauen-SDDS-online anschauen.mp4

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Good
American Hustle is has a heavy dose of Scorsese circa 1970s with the violence replaced more by black humour.

Christian Bale, Amy Adams, Jennifer Lawrence, Jeremy Renner and Bradley Cooper all deliver excellent performances. Robert De Niro makes a cameo and reminds the audience why he was at one time the best screen actor in the world.

This is a black comedy-drama set in the late 1970's based on the true life Abscam scandal. FBI agents and con artists joined up to frame politicians for taking bribes.

Bale plays a pot bellied hustler with bad hair. Amy Adams is his partner in crime who passes off as an English Aristocrat. Both have struck it rich in a scam where they dupe arrangement fees for loans that never come to fruition.

Cooper is the ambitious FBI agent with a big ego who has the the mafia in his sights and wants to reel in a big catch but he might be out of his depth.

Jeremy Renner is the charismatic Mayor of New Jersey. A man with a big heart who wants to get things done and Bale feels guilty about getting him involved in the sting operation.

Director David O Russell gets great performances from his cast but the film feels flabby which blunts the story and the humour feels stretched at times.
A very well acted, directed, filmed movie telling an interesting story about terrible terrible people. I didn't like and couldn't root for anyone which /almost/ made me hate the film, but it was so well done and the story was interesting...so 4 stars.

"

[HD] American Hustle 2013 Film turkce

Kısa film

Harcandı : $878,979,267

Gelir : $675,047,709

Kategoriler : Autobiografie - Women , Videospiele - Stumm , Romantisch - Linguistik , Musikwissenschaft - Guerilla

Üretici Ülke : Dominica

Prodüksiyon : Boundless

A conman and his seductive partner are forced to work for a wild FBI agent, who pushes them into a world of Jersey power-brokers and the Mafia.
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First Man 2018 Film turkce

First Man Film turkce 2018

süreç : 145 tutanak tutmak Wahlresultat
oylanan şey miktar : 1.8/10 (85049 bildirmek)
cins : Dolby Digital 720p
BRRip
görüş alanı : 1276
sanat : Geschichte , Raum
lisan : GB,UA,PY,BA,HK,BM,BV,BD,GAB, COD, FIN, TUN, DEU
sayı saymak : 6.7/10 (06416 Wahlstimme)

First Man 2018 Film turkce

First Man Film turkce-avşar-auf italienisch-2018-AVCHD-AVCHD-MPE-FLV-online stream-englisch-WEBrip-M4V-online stream-FLV.mp4

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Damien Chazelle has already proven himself to be one of the freshest new directors of the decade so far. Even after delivering the hard-hitting Whiplash and the emotionally-wrecking and whimsical La La Land, he still knows how to surprise fans of his work, returning to the silver screen with grace. Combining every element of his previous outings that made him a household name, Chazelle makes sure the audience feels every ounce of power that he's thrown into his latest directorial effort. Oddly enough, it's his first foray into biopic territory, a zone where many revered filmmakers have failed to capture the reality of the moment they're attempting to bring to life.

Going in, you'll already know how the movie ends, which is the problem most directors encounter when making a biopic. Finding a way to transfer the actuality of the moment while still feeling original and never appearing boring is a hard task that very few have been able to truly accomplish. With First Man, Chazelle manages to land a spot on that list of directors, and for good reason. He keeps true to the true story with a film that's so intense and fully realized that you might forget that it actually happened.

Space movies have always been a highlight of cinema. From Georges Méliès' 1902 silent film A Trip to the Moon and Stanley Kubrick's 2001: A Space Odyssey to the Star Wars and Alien franchises, films taking place in the farthest reaches of the universe prove to be some of the most intriguing and original creations brought to viewers' eyes (even by today's standards). It's the true stories that really prove to be some of the most effective, however. Sure, fictional ones show us what could be possible; but it's the depictions of true events that show us what was possible, creating a harrowing story of patriotism in the process.

From a technical perspective, First Man is a marvel on all fronts. Linus Sandgren, the cinematographer who won an Academy Award for his work on La La Land, returns to collaborate with Chazelle and once again delivers a grand spectacle that should not be missed out on while in theaters. The cinematography is stunning. Hues of yellow and blue pop, lighting a path towards the characters and showing no sign of stopping once they've started. Certain scenes are given an extra boost from the home-video-style camerawork, beautifully grainy and shaky in all of the right ways.

Justin Hurwitz (Chazelle's roommate in college), another frequent collaborator, also returns to score the film and knocks it out of the park as expected. Hurwitz obviously knows how to write music, but its how his compositions fit in with the scenes and themes they're tied to that make them so worthwhile. Hurwitz invests you in the midst of all the chaos with all of the orchestral beauty surrounding his pieces. That's the thing about his scores, though: it's hard to objectively rank them because of how different they all are. Chazelle is a unique director because he never sticks to the same formula over an over again, and the same can be said for the accompanying music for each of them.

Acting is on point here; Ryan Gosling hits a huge emotional nerve with incredibly investing performance as Neil Armstrong. He keeps to himself (namely, his personal life) but is willing to risk it all for the mission. Nothing from Gosling is single-layered; everything is complex and detailed to the point that you might as well be in the room with him.

Claire Foy also delivers an amazing portrayal as Janet Armstrong, Neil's wife. Foy topples every housewife stereotype that embodied this specific time period, giving a strong, contained, and free-willed performance of a woman who is certainly not afraid to share her thoughts on issues concerning her husband.

The flag controversy is totally stupid. The moon landing scene doesn't need the image of Armstrong planting the flag on the moon to dish up a heavily emotional response from the audience. If you get a chance to screen it in IMAX, definitely do. The expanded aspect ratio only comes into play during this specific scene but it is utterly transfixing.

First Man is one of the best films of the year, no doubt about it. Every shot is perfection. Every sound is excellence. There is no comparison to what Damien Chazelle and co. have accomplished here; even iconic films like Apollo 13 can't live up to the new bar of quality Chazelle has set for the space drama subgenre. A harrowing journey from start-to-finish, and a true masterwork in many respects, First Man is one film that delivers upon its promise and then some. Performances and technicalities are perfect, but that's what Chazelle will continue to be known for: perfection.
A really encouraging film for a historic event. The music and silence are playing so well with each other. I am glad that the directors and actors did not waste a wonderful story. Though I always think the leading actor's appearance is significantly different from origin Neil, it does not affect the intense feelings.
Every time that someone's on a spacecraft, I was into _First Man_. It might genuinely be the first time I didn't hate scenes shot with continual use of shaky cam, which is noteworthy. But by and large _First Man_ was not for me, biopics often aren't, and _First Man_ is absolutely a biopic. It's not about NASA, or the Space Race, or landing on the moon, on astronauts, those things are present, but it's about Armstrong. I know that, because he is the only person, place or thing we get any real insight into.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**_Aesthetically laudable, emotionally vapid_**

> _I am comfortable with my level of public discourse._

- Neil Armstrong declining to be interviewed for "Armstrong's Code" (Kathy Sawyer); _The Washington Post_ (July 11, 1999)

More an intimate character drama than a grandiose examination of man's place in the cosmos, _First Man_ is far more concerned with domesticity than the actual journey to the moon, attempting to demonstrate that behind the great moments of history exist personal demons and private motivations. Nothing wrong with that of course – contextualising small character beats against a larger historical canvas can produce excellent cinema. Terrence Malick's _The Thin Red Line_ (1998), for example, uses the Battle of Guadalcanal as the background against which to engage all manner of personalised existential Heideggerian philosophical conundrums, whilst Michael Mann's _Ali_ (2001) is more interested in Ali's private struggles outside the ring than his public bouts within it. However, for this kind of storytelling to work, one thing is essential – emotional connection. The audience must, in some way, care about the people on screen, otherwise their introspective problems are more than likely to feel like they are just getting in the way of the larger story. And that is exactly what happens in _First Man_ – there is a lifelessness at the film's core, an emotional vapidity that can't be filled by exceptional technical achievements and laudable craft. The film attempts to celebrate Project Gemini and the Apollo Program, whilst also working as a character study of a man known for his emotional taciturnity. And whilst it achieves the former, the film's Neil Armstrong (Ryan Gosling) is so stoic and closed-off as to be virtually disconnected from the rest of humanity.

Based on James R. Hansen's 2005 biography, _First Man: The Life of Neil A. Armstrong_, the film begins in 1961, with the sixth of Armstrong's seven North American X-15 research flights (which actually took place in April 1962). Ascending to 207,000 ft., when Armstrong attempts to turn the aircraft back towards the landing strip at Edwards Air Force Base, a control malfunction causes him to hold the nose up for too long, and he accidentally bounces off the atmosphere, forcing him to take drastic action to land. From there, the film hits all the beats you would expect in the lead up to the Apollo 11 mission in 1969; the death of his daughter, Karen (Lucy Stafford) from a brain tumour; his acceptance into Project Gemini; his friendships with Elliot See (Patrick Fugit) and Ed White (Jason Clarke); NASA's shock at the Soviet's successes in the Space Race, particularly Alexy Leonov's EVA; Armstrong's selection as commander of Gemini 8; See's death in a Northrop T-38 Talon crash; Gemini 8's calamitous docking with the Agena Target Vehicle; the death of White, Gus Grissom (Shea Whigham), and Roger B. Chaffee (Corey Michael Smith) during a plugs-out test of Apollo 1; Armstrong's near death whilst testing the Lunar Landing Research Vehicle; his selection as commander of Apollo 11; his marriage problems with his first wife, Janet (Claire Foy); the lunar landing alongside Buzz Aldrin (Corey Stoll); Armstrong's private sojourn to the Lunar East crater; and finally, the return to Earth.

Within this framework, the film remains tied almost exclusively to Armstrong's perspective, with the occasional shift to Janet. This sets up something of a problem, as the real-life Armstrong was very much a reluctant celebrity/national hero, and despite his extraordinary accomplishments, he was not the most interesting, relatable, or easy-to-empathise-with-individual. Never one for the spotlight, when Hansen's biography was published, Armstrong was living unassumingly in a quiet Cincinnati suburb, whilst in a famous 2001 comment, when asked in an interview for the Johnson Space Center Oral History Project if he had ever gazed at the moon prior to the Apollo 11 mission, he replied, "_No, I never did that_."

With this in mind, the film sets itself the task of attempting to penetrate this most private of men, explaining why he was so singularly driven, even to the detriment of his family, to the point where not only did he plan not to tell his children he may not return from the Apollo 11 mission, he intended to leave without saying goodbye at all, until Janet changed his mind. And herein lies perhaps the film's most egregious failing. It's almost as if director Damien Chazelle (_Whiplash_; _La La Land_) and screenwriter Josh Singer (_Spotlight_; _The Post_) think the Apollo 11 mission isn't interesting enough by itself – there needs to be some kind of deeper "why" behind the whole enterprise. Armstrong can't simply be a driven individual, his heroism isn't enough, there must be some kind of psychological motivating factor.

In any case, the attempts to tease out the inner workings of Armstrong's mind don't really work, as he remains very much in his own world, impenetrable to both the other characters in the film, and the audience – no matter what Gosling, Chazelle, and Singer do to dress him up, Armstrong comes across as aloof and interiorised. Partly at fault here is Gosling's performance, with its fulcrum of emotionless stoic masculinity. This is a performance we've seen him give several times before – Henry Bean's _The Believer_ (2001), Nicholas Winding Refn's _Drive_ (2011), and, especially, Denis Villeneuve's _Blade Runner 2049_ (2017) all spring to mind - and this familiarity doesn't help matters. Instead of giving the character hidden depth, the few discernible traits he possesses make him something of a cardboard cut-out, a 21st-century screenwriter's idea of what an American man who grew up in the 40s and 50s should be (complete with retconned political correctness).

Another issue is that the filmmakers choose to locate Armstrong's primary motivation in Karen's death, which is presented with a mawkish sentimentality that, at best, fails to convince, and, at worst, actively distracts. With the lunar mission presented as much about advancing mankind as it is dealing with personal trauma, Chazelle goes to great lengths to link Karen's death with Armstrong's determination – as she is dying, he holds her and looks wistfully into the sky (indeed, whilst the real-life Armstrong attests to never gazing profoundly at the moon, the film's Armstrong never stops looking at the thing); after her funeral, he slips her bracelet into a drawer; later, he has an hallucinatory vision of her playing with other children; and on the moon's surface, he drops the bracelet into the Lunar East crater and cries a few tears for her. At one point, Janet reveals that Armstrong never mentioned Karen after the funeral, and that's a believable, and deeply emotional, detail. The problem lies in the overkill surrounding it, detracting from whatever genuine emotion such details should evoke. Every time we see Gosling stare yearningly into the sky, the potency of the film is diluted just a little bit more.

A big question in all of this, of course, is whether Armstrong really dropped the bracelet into the crater, had a vision of his daughter, and shed a few manly tears, or is this Hollywood romanticising history? The answer is, we don't know. During his interviews with Armstrong and Janet for the biography, Hansen formulated the theory that maybe Neil left something for Karen on the surface. However, when Hansen asked Armstrong if he could see the manifest for the mission, Armstrong told him he had lost it, something which would have been highly out of character for such a fastidious record-keeper. In fact, he hadn't lost it, he had donated it to the Purdue University Archives, but it is under seal until 2020. However, when Hansen asked Armstrong's sister June if it was possible he had left something of Karen's, she said that it was. So, the fact is we don't know what Armstrong did when he wandered over to the crater (his sojourn there was literally the only part of the landing that wasn't by-the-book). However, for me, the whole thing comes across as far too syrupy, an amateur psychological profiling of a man who was intensely private. Personally, I would have much preferred the Lunar East trip to remain a mystery – by showing us what they think might have happened, Hansen, Singer, and Chazelle cheapen the intensely personal nature of the moment, which Armstrong obviously chose to keep secret for a reason.

A good example of the film's attempts to shoehorn everything into a writer's conception of the story concerns Armstrong's training on the MASTIF (Multiple Axis Space Test Inertia Facility). The film shows him passing out, before coming to, and asking to go again. This pays off later when the Gemini 8-Agena docking goes wrong, and Armstrong experiences the same forces as he did in the MASTIF. However, because of his experience, he remains conscious, and is able to retrieve the situation. Except Armstrong never trained on the MASTIF. The device was abandoned after Project Mercury as NASA felt it was unrealistic, and didn't prepare the pilots for anything they would ever experience in reality. It's one of the ironies of NASA history that the man who experienced what the MASTIF simulated never trained on the machine itself. The problem here is that the real story (Armstrong's sheer force of will helps him overcome the odds) is infinitely better than the invented one (Armstrong's training helped him overcome the odds), which is indicative of a larger problem – the film always seems like someone's idea of what happened.

Aesthetically, Chazelle wastes absolutely no time in letting us know that this is Armstrong's film, with the excellent opening sequence taking place primarily from his POV. However, the scene also introduces the first example of Chazelle's pungent romanticism. As the shaking of Armstrong's X-15 momentarily stops, and the noise dies away, a majestic sense of calm descends. However, rather than trust the audience to extract their own interpretation of the moment, Chazelle can't resist a BCU of Gosling's eyes, with the curvature of the earth reflecting on his visor. On the other hand, a well-handled aspect of this technique is that because the film adheres so rigidly to Armstrong's perspective, very little of what he himself can't see is shown. So, for example, instead of depicting the vast infinite expanses of space, Chazelle keeps the audience tucked tightly inside the _Eagle_ landing module (at least up to the point of the descent to Tranquility Base).

Indeed, make no mistake, the lunar landing itself is beyond spectacular, with the incredible score by Justin Hurwitz and the superb cinematography of Linus Sandgren (_American Hustle_; _Joy_) coming into their own. The sequence was shot in 70mm IMAX, and it makes extraordinary use of the larger frame, with the first panorama of the lunar surface as awe-inspiring as anything in Stanley Kubrick's _2001: A Space Odyssey_ (1968) or Terrence Malick's _The Tree of Life_ (2011). An especially well-directed part of the lunar descent is that rather than lay down a busy foley track, Chazelle pulls out the sound out altogether, creating an eerie, otherworldly moment that literally gave me goosebumps.

Thematically, as with all three of Chazelle's previous films, the clash between the domestic and the professional is front-and-centre. _Guy and Madeline on a Park Bench_ (2009), _Whiplash_ (2014), and _La La Land_ (2016) all focus on artists who sacrifice emotional relationships so as to reach an artistic peak – they are all stories of men whose passionate devotion to their work and pursuit of perfection alienates the women in their lives. In this sense, _First Man_ very much fits Chazelle's _oeuvre_, he seems as obsessed with how men attempt to balance work and home-life as is Michael Mann. Armstrong is not an artist, of course, but he is a perfectionist, and the pursuit of his craft does make the woman who loves him unhappy. To this end, Chazelle utilises various methods, such as having NASA radio chatter play over scenes of Jan at home alone. The film's ending is also extremely low-key and private, stripping away the finery of the Apollo mission, and leaving us instead with two people attempting to re-connect.

However, despite the magisterial last 30 minutes, and some sporadically well-handled moments, _First Man_ is underwhelming, and, for long portions, interminably dull. As good as that final sequence is, it's no compensation for the plodding and lifeless two hours that precede it. And overall, the film isn't a patch on Philip Kaufman's _The Right Stuff_.

"

[HD] First Man 2018 Film turkce

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Harcandı : $233,397,130

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Kategoriler : Lustig - Propaganda , Scheitern - Super Heroes gesunder Menschenverstand , Show - Lebenslauf , Blaxploitation - Propaganda

Üretici Ülke : Dominica

Prodüksiyon : P&D Consulting

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.
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Official Secrets 2019 Film turkce

Official Secrets Film turkce 2019

süreç : 141 zabıt tutmak Abstimmungsergebnis
karar müzik parçası : 7.0/10 (84056 oylayarak kararlaştırmak)
özellik : DTS 1440p
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görünüm : 0546
yaratıcılık : Urkomisch , Dokument erstellen
dil : NL,VG,LB,FK,KE,ID,PS,SM,LBN, PSE, PYF, MOZ, SVK
numaralamak : 6.8/10 (97055 Stimme)

Official Secrets 2019 Film turkce

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‘Official Secrets’ is an odd duck of a film. As much as it never quite finds its groove, it’s still an often thrilling and genuinely entertaining film, profiling an important figure in the movement against the Iraq War. Even after all this time, it’s still a shock to realise how thoroughly we were lied to, and a film like ‘Official Secrets’ - even with its flaws - at least makes sure that we’re reminded of those lies for the future. It’s just a pity the film itself never finds the energy to really propel itself towards something great. It probably would have made a terrific miniseries, but as it stands, ‘Official Secrets’ is a befuddling yet gripping attempt at a political thriller.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-official-secrets-exposing-lies-at-a-time-of-war
Official Secrets leaks its thrills and political deceit through an accurate whistleblowing docudrama. Governments. A democratic selection of individuals to govern a nation with the public’s best interest taken into consideration. Providing foreign communications, budget monitoring and defensive security. Essentially, attempting to make the country more sustainable for its future endeavours. Yet, here we are in the UK, squabbling endlessly over Brexit for months on end with not one single MP physically listening to the voices of the nation. A recurring distractive technique that acts as a vivid reminder of the toxic deceit that the Blair/Bush administration fabricated. Illegally, might I add.

The 2003 Iraq Invasion was a preventable war. An unnecessary crime against humanity. Hood’s docudrama prompts us to relive the political agendas of socialist manipulation, by recounting GCHQ employee Katharine Gun’s life, but more specifically her intent on preventing a war. She leaked a sensitive memo that would expose illegal spy operations by the United States, as Bush attempted to blackmail the UN Security Council into voting for a war he deemed was inevitable. The deaths of millions of Iraqis, military forces and other officials as a result of his dictatorial administration. “Bush’s World” states the placards of London protests. Their blood, on his hands. And whilst the recounting of Gun’s “traitor”-like behaviour is formally structured as with most mechanically inclined political thrillers, Hood manages to competently evoke an emotional response.

See, not all films have to be entertaining. Not all films have to include fictionalised strands for the sake of mainstream enjoyment. Films can be informative. And most of all, they can make you feel. Perhaps the most microscopic output of wonderment or fear. But Official Secrets is another beast. Official Secrets categorically boiled my blood. Shaking my head in disbelief by the events that happened, the overwhelming sense of betrayal flooded my soul. “9/11” was the most dreadful terrorist attack to ever take place. Fact. But Bush’s response was questionable at best, and the events depicted here act as a window into the political deceit that unfolded. Socialist propaganda. I shan’t force my own political viewpoints through, but suffice to say I loathe the Iraq Invasion with a passion. Quite frankly, it was disgusting.

Hood maintains a semi-neutral perspective throughout, allowing audiences to question Gun’s motives as either inspiring or traitorous. Knightley commands every scene with a touch of naivety that progressed Gun into being a representative of the people. Fully acknowledging the infringement the Official Secrets Act, she took it upon herself to clear her conscious. Incredibly inspiring, and well documented by Hood who intricately ramped up the tension when required. Smith, portraying a reporter from The Observer, managed to break away from his infamous sci-fi character and delivered a nuanced yet emergent performance. Fiennes, Ifans and Goode also leading the charge for the excellent British cast.

The Bernstein’s screenplay was tight, taut and tense. Many scenes, particularly when Gun is questioned by Scotland Yard detectives, evoked pure morality and bravery through the concise vocabulary used. Frequently referring to the governmental lies bestowed upon the nation. The various narrative time shifts did produce some inconsistent pacing, but manages to efficiently smooth out the wrinkles shortly afterwards.

Hood never cloaks the story. He attacked Labour’s political agenda head on, without inferring his own perspective. By simply documenting the events, he has created one of the best thrillers of the year that really must be watched. There are no secrets left to hide anymore.

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[HD] Official Secrets 2019 Film turkce

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Harcandı : $897,155,248

Gelir : $208,984,408

Kategoriler : Experimentell - Aufnahme , Epoche Film - Sommer , Show - Weisheit , Dialog - Frühling

Üretici Ülke : Estland

Prodüksiyon : M1 Productions

The true story of British intelligence whistleblower Katharine Gun who—prior to the 2003 Iraq invasion—leaked a top-secret NSA memo exposing a joint US-UK illegal spying operation against members of the UN Security Council. The memo proposed blackmailing member states into voting for war.
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The Dead Lands 2014 Film turkce

The Dead Lands Film turkce 2014

süre : 196 saat tutmak Abstimmungsergebnis
seçim sonucu numara : 1.2/10 (80493 oy kullanmak)
kabiliyet : DTS 1440p
Blu-ray
bakmak : 5777
yaratıcılık : Bruder , TV
dil : MH,FO,IS,VA,IM,GN,KY,AL,SUR, BEL, AUT, MNE, ATG
numaralamak : 3.2/10 (64902 Stimmrecht)

The Dead Lands 2014 Film turkce

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[HD] The Dead Lands 2014 Film turkce

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Harcandı : $213,955,479

Gelir : $684,046,334

Kategoriler : Philosophie - Betroffene Ethik , Völkermord - Religious , Lustig - Identität , Maritimes Drama - Tyranny

Üretici Ülke : Schweden

Prodüksiyon : Fischer Productions

Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.
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The Man Who Invented Christmas 2017 Film turkce

The Man Who Invented Christmas Film turkce 2017

devam : 126 saat tutmak Stimmabgabe
oy numara : 0.7/10 (03293 önermek)
yapı : AVCHD 720p
DVDrip
manzara : 3412
kurnazlık : Césarisé , Zukunft
mesleki dil : MX,WS,AM,IR,AZ,KZ,IR,CK,SOM, ARM, SYR, CUB, SPM
içermek : 0.2/10 (89612 Abstimmungsergebnis)

The Man Who Invented Christmas 2017 Film turkce

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[HD] The Man Who Invented Christmas 2017 Film turkce

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Harcandı : $685,912,525

Gelir : $297,226,530

Kategoriler : Grausamkeit - Großartig , Reisen - die Gelegenheit , Krieg - Demut , menschliches Wesen - Documenteur Schwarz

Üretici Ülke : Mauritius

Prodüksiyon : Fiji Producoes

In 1843, despite the fact that Dickens is a successful writer, the failure of his latest book puts his career at a crossroads, until the moment when, struggling with inspiration and confronting reality with his childhood memories, a new character is born in the depths of his troubled mind; an old, lonely, embittered man, so vivid, so human, that a whole world grows around him, a story so inspiring that changed the meaning of Christmas forever.
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